Robert Silverberg The Science Fiction Hall Of Fame Volume One, 1929-1964
Robert Silverberg The Science Fiction Hall Of Fame Volume One, 1929-1964
Robert Silverberg
Cambridge University Press, Feb 22, 2003 - 576 pages
The definitive collection of the best in science fiction stories between 1929 and 1964
The book you now hold contains twenty-six of the greatest science fiction stories ever written. They represent the considered verdict of the Science Fiction Writers of America, those who have shaped the genre and who know, more intimately than anyone else, what the criteria for excellence in the field should be. The authors chosen for The Science Fiction of Hall Fame are the men and women who have shaped the body and heart of modern science fiction; their brilliantly imaginative creations continue to inspire and astound new generations of writers and fans.
Robert Heinlein in "The Roads Must Roll" describes an industrial civilization of the future caught up in the deadly flaws of its own complexity. "Country of the Kind," by Damon Knight, is a frightening portrayal of biological mutation. "Nightfall," by Isaac Asimov, one of the greatest stories in the science fiction field, imagines a planet where the sun sets only once every millennium and is a chilling study in mass psychology.
Originally published in 1970 to honor those writers and their stories that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame, Volume I, was the book that introduced tens of thousands of young readers to the wonders of science fiction. Too long unavailable, this new edition will treasured by science fiction fans everywhere.
The Science Fiction Hall of Fame, Volume I, contains stories by the great masters of the form, including the following authors:
Isaac Asimov
Alfred Bester
Jerome Bixby
James Blish
Anthony Boucher
Ray Bradbury
Fredric Brown
John W. Campbell, Jr.
Arthur C. Clarke
Lester del Rey
Tom Godwin
Robert A. Heinlein
Daniel Keyes
Damon Knight
C. M. Kornbluth
Fritz Leiber
Murray Leinster
Richard Matheson
Judith Merril
Lewis Padgett
Clifford D. Simak
Cordwainer Smith
Theodore Sturgeon
A. E. van Vogt
Stanley G. Weinbaum
Roger Zelazny
THE SCIENCE FICTION HALL OF FAME
Volume One, 1929-1964
The Greatest Science Fiction Stones of All Time
Chosen by the Members of The Science Fiction Writers of
America
Edited by Robert Silverberg
v3.0 - Fixed broken paragraphs, garbled text, formatting; by peragwinn 2004-10-09
® TOR
® A Tom Doherty Associates Book New York
This is a work of fiction. All the characters and events portrayed in the stories in this collection are either fictitious or are used fictitiously.
THE SCIENCE FICTION HALL OF FAME, VOLUME ONE, 1929-1964
Copyright © 1970, 1998 by Science Fiction Writers of America Edited by Robert Silverberg
All rights reserved, including the right to reproduce this book, or portions thereof, in any form.
This book is printed on acid-free paper.
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ISBN 0-765-30536-4
First Tor Hardcover Edition: February 2003
Printed in the United States of America
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ACKNOWLEDGMENTS
A Martian Odyssey, by Stanley G. Weinbaum, copyright © 1934 by Continental Publications, Inc. Reprinted by permission of Forrest J. Ackerman on behalf of the author's estate.
Twilight, by John W. Campbell, copyright © 1934 by Street & Smith Publications, Inc. Reprinted by permission of the author's agents, Scott Meredith Literary Agency, Inc.
Helen O'Loy, by Lester del Rey, copyright © 1938 by Street & Smith Publications, Inc. Reprinted by permission of the author's agents, Scott Meredith Literary Agency, Inc.
The Roads Must Roll, by Robert A. Heinlein, copyright © 1940 by Street & Smith Publications, Inc. Copyright renewed 1967 by Robert A. Heinlein. Reprinted by permission of the author and his agent, Lurton Blassingame.
Microcosmic God, by Theodore Sturgeon, copyright © 1941 by Street & Smith Publications, Inc. Reprinted by permission of the author and his agent, Robert P.
Mills.
Nightfall, by Isaac Asimov, copyright © 1941 by Street & Smith Publications, Inc.
Copyright renewed 1968 by Isaac Asimov. Reprinted by permission of the author.
The Weapon Shop, by A. E. van Vogt, copyright © 1942 by Street & Smith Publications, Inc. Reprinted by permission of the author's agent, Forrest J.
Ackerman.
Mimsy Were the Borogoves, by Lewis Padgett, copyright © 1943 by Street & Smith Publications, Inc. Reprinted by permission of Harold Matson Company, Inc.
Huddling Place, by Clifford D. Simak, copyright © 1944 by Street & Smith Publications, Inc. Reprinted by permission of the author and his agent, Robert P.
Mills.
Arena, by Fredric Brown, copyright © 1944 by Street & Smith Publications, Inc.
Reprinted by permission of the author's agents, Scott Meredith Literary Agency, Inc.
First Contact, by Murray Leinster, copyright © 1945 by Street & Smith Publications, Inc. Reprinted by permission of Scott Meredith Literary Agency, Inc.
That Only a Mother, by Judith Merril, copyright © 1948 by Street & Smith Publications, Inc. Reprinted by permission of the author.
Scanners Live in Vain, by Cordwainer Smith, copyright © 1948 by Fantasy Publishing Co., Inc. Reprinted by permission of the author's agents, Scott Meredith Literary Agency, Inc.
Mars Is Heaven!, by Ray Bradbury, copyright © 1948 by Love Romances Publishing Company, Inc. Reprinted by permission of Harold Matson Company, Inc.
The Little Black Bag, by C. M. Kornbluth, copyright © 1950 by Street & Smith Publications, Inc. Reprinted by permission of Robert P. Mills on behalf of the author's estate.
Born of Man and Woman, by Richard Matheson, copyright © 1950 by Fantasy House, Inc. Reprinted by permission of Harold Matson Company, Inc.
Coming Attraction, by Fritz Leiber, copyright © 1950 by World Editions, Inc.
Reprinted by permission of the author and his agent, Robert P. Mills.
The Quest for Saint Aquin, by Anthony Boucher, copyright © 1951 by Henry Holt & Co. Reprinted by permission of the author's agents, Collins-Knowlton-Wing, Inc.
Surface Tension, by James Blish, copyright © 1952 by Galaxy Publishing Corporation. Reprinted by permission of the author and his agent, Robert P. Mills.
The Nine Billion Names of God, by Arthur C. Clarke, copyright © 1953 by Ballantine Books, Inc. Reprinted by permission of the author's agents, Scott Meredith Literary Agency, Inc.
It's a Good Life, by Jerome Bixby, copyright © 1953 by Ballantine Books, Inc.
Reprinted by permission of the author's agent, Forrest J. Ackerman.
The Cold Equations, by Tom Godwin, copyright © 1954 by Street & Smith Publications, Inc. Reprinted by permission of the author's agents, Scott Meredith Literary Agency, Inc.
Fondly Fahrenheit, by Alfred Bester, copyright © 1954 by Fantasy House, Inc.
Repr
inted by permission of the author and his agent, Robert p. Mills.
The Country of the Kind, by Damon Knight, copyright © 1955 by Fantasy House, Inc. Reprinted by permission of the author and his agent, Robert P. Mills.
Flowers for Algernon, by Daniel Keyes, copyright © 1959 by Mercury Press, Inc.
Reprinted by permission of the author and his agent, Robert P. Mills.
A Rose for Ecclesiastes, by Roger Zelazny, copyright © 1963 by Mercury Press, Inc.
Reprinted by permission of Ace Books, Inc.
CONTENTS
Introduction: Robert Silverberg
A MARTIAN ODYSSEY,
Stanley G. Weinbaum
TWILIGHT,
John W. Campbell
HELEN O'LOY,
Lester del Rey
THE ROADS MUST ROLL,
Robert A. Heinlein
MICROCOSMIC GOD,
Theodore Sturgeon
NIGHTFALL, Isaac
Asimov
THE WEAPON SHOP,
A. E. van Vogt
MIMSY WERE THE BOROGOVES,
Lewis Padgett
HUDDLING PLACE,
Clifford D. Simak
ARENA, Fredric
Brown
FIRST CONTACT,
Murray Leinster
THAT ONLY A MOTHER,
Judith Merril
SCANNERS LIVE IN VAIN,
Cordwainer Smith
MARS IS HEAVEN!,
Ray Bradbury
THE LITTLE BLACK BAG,
C. M. Kombluth
BORN OF MAN AND WOMAN,
Richard Matheson
COMING ATTRACTION,
Fritz Leiber
THE QUEST FOR SAINT AQUIN,
Anthony Boucher
SURFACE TENSION,
James Blish
THE NINE BILLION NAMES OF GOD,
Arthur C. Clarke
IT'S A GOOD LIFE,
Jerome Bixby
THE COLD EQUATIONS,
Tom Godwin
FONDLY FAHRENHEIT,
Alfred Bester
THE COUNTRY OF THE KIND,
Damon Knight
FLOWERS FOR ALGERNON,
Daniel Keyes
A ROSE FOR ECCLESIASTES,
Roger Zelazny
INTRODUCTION
This is as nearly definitive an anthology of modern science fiction stories as is likely to be compiled for quite some time. Its contents were chosen by vote of the membership of the Science Fiction Writers of America, an organization of some three hundred professional writers whose roster includes virtually everyone now living who has ever had science fiction published in the United States. The book you now hold represents the considered verdict of those who themselves have shaped science fiction—a roster of outstanding stories selected by people who know more intimately than any others what the criteria for excellence in science fiction should be.
SFWA—the Science Fiction Writers of America—was founded in 1965 "to inform science fiction writers on matters of professional interest, to promote their professional welfare, and to help them deal effectively with publishers, agents, editors, and anthologists." Though other special writers' organizations, such as the Mystery Writers of America and the Western Writers of America, had come into existence long before, all previous attempts to create a professional science fiction writers' group had been abortive. However—thanks in large measure to the energy and devotion of the first president of SFWA, Damon Knight, and its first secretary-treasurer, Lloyd Biggie—all but a few writers in this notoriously individualistic field quickly joined. For greater cohesiveness, membership was limited to writers whose work had appeared m the United States, but no restrictions were placed on a writer's own residence or citizenship. Thus SFWA has a large British contingent as well as members from Australia, Canada, and several other Commonwealth countries.
In 1966 SFWA held the first of its annual awards banquets, at which handsome trophies nicknamed Nebulas were presented to the authors of 1965's outstanding science fiction stories, as chosen by vote of the membership. These awards have been presented in each subsequent year in four categories: short story, novelet, novella, and novel.
During my term of office (1967-68) as SFWA's second president, it was decided to extend the concept of awards retroactively into the period prior to SFWA's inception. Members would be asked to nominate and vote for the best science fiction stories of the era ending on December 31, 1964: that is, the period up to the point covered by the Nebula awards. No trophies would be given, but the stories chosen would be republished in a showcase anthology spanning several volumes—the Science Fiction Hall of Fame.
This is the first of those anthologies. It embraces the categories of short story and novelet; arbitrarily, stories over 15,000 words in length were excluded from nomination and reserved for consideration in the volumes to come. Nominations remained open for more than a year, during which time a significant proportion of the membership suggested favorite stories, each writer giving no consideration to his own work. Eventually, 132 stories by seventy-six different writers found places on the final ballot. Then the members of SFWA were asked to choose ten stories from this list. They were limited to the choice of one story by any author, and were asked to keep historical perspective in mind. That is, it was hoped that they would distribute their votes in such a way as to give representation to each of the evolutionary stages of modern science fiction. (The stories on the ballot had originally been published between 1929 and 1964.)
As editor of the book, I exercised certain limited prerogatives of selection after the counting of the votes. No editorial discretion whatever was invoked upon the fifteen most popular stories as shown by the vote tally; their inclusion in the book was regarded as obligatory. Those fifteen, in order of the number of votes they received, were:
1. Nightfall, Isaac Asimov
2. A Martian Odyssey, Stanley G. Weinbaum
3. Flowers for Algernon, Daniel Keyes
4. Microcosmic God, Theodore Sturgeon(tie) First Contact, Murray Leinster 6. A Rose for Ecclesiastes, Roger Zelazny
7. The Roads Must Roll, Robert A. Heinlein(tie) Mimsy Were the Borogoves, Lewis Padgett (tie) Coming Attraction, Fritz Leiber (tie) The Cold Equations, Tom Godwin
11. The Nine Billion Names of God, Arthur C. Clarke
12. Surface Tension, James Blish
13. The Weapon Shop, A. E. van Vogt(tie) Twilight, John W. Campbell 15. Arena, Fredric Brown
(Arthur C. Clarke's The Star would have been the fifteenth story on this list if it had not been disqualified by the presence of another Clarke story in eleventh place.
Clarke was the only writer to place two stories in the top fifteen, although both Robert A. Heinlein and Ray Bradbury had two stories in the top twenty.) Beyond the first fifteen, some selectivity had to be imposed to keep the book from growing to infinite length. As far as possible, I attempted to follow the dictates of the tallied vote, eliminating only those stories whose authors were represented by a story higher on the list. But there were some obvious injustices requiring remedies. One important and highly respected author had had four stories on the original ballot, including two from the same cycle. As a result of this competition with himself, no one of his stories finished within the top twenty, although the aggregate of his vote placed him well up among the leaders. Eliminating a man whose career had been so distinguished from a book of this nature seemed improper; and so I gave preference to one of his four stories over that of another writer whose only nominated piece had finished slightly higher on the list. In this case recognition of an entire body of work was deemed more important than recognition of a single story.
In another instance, two of a writer's stories made the second fifteen, one vote apart; but the story with the higher number of votes was not the story that the writer himself wished to see included in the book. I chose to regard the one-vote differential as statistically insignificant, and reversed the order of finish of that writer's stories so tha
t I might use the one that he (and I) regarded as superior.
There were several other minor modifications of this sort, made necessary by considerations of length, balance, and over-all career contributions. Strictly speaking, then, the table of contents of the present anthology does not reflect a rigid tally of the SFWA vote. Rather, it offers the fifteen stories of the pre-1965 period that were selected as best by the SFWA, plus all but a few of the second fifteen. I regret the necessities of publishing reality that forced me to omit some of the stories in that second fifteen, amounting to over 50,000 words of fiction; but in view of the need to keep the book within manageable size I think it does offer a definitive group of stories by the writers who have done most to give form and substance to modern science fiction—a basic one-volume library of the short science fiction story.
Robert Silverberg
THE SCIENCE FICTION HALL OF FAME Volume One, 1929-1964
A MARTIAN ODYSSEY
by Stanley G. Weinbaum
First published in 1934
Jarvis stretched himself as luxuriously as he could in the cramped general quarters of the Ares.
"Air you can breathe!" he exulted. "It feels as thick as soup after the thin stuff out there!" He nodded at the Martian landscape stretching flat and desolate in the light of the nearer moon, beyond the glass of the port.
The other three stared at him sympathetically—Putz, the engineer, Leroy, the biologist, and Harrison, the astronomer and captain of the expedition. Dick Jarvis was chemist of the famous crew, the Ares expedition, first human beings to set foot on the mysterious neighbor of the earth, the planet Mars. This, of course, was in the old days, less than twenty years after the mad American Doheny perfected the atomic blast at the cost of his life, and only a decade after the equally mad Cardoza rode on it to the moon. They were true pioneers, these four of the Ares. Except for a half-dozen moon expeditions and the ill-fated de Lancey flight aimed at the seductive orb of Venus, they were the first men to feel other gravity than earth's, and certainly the first successful crew to leave the earth-moon system. And they deserved that success when one considers the difficulties and discomforts—the months spent in acclimatization chambers back on earth, learning to breathe the air as tenuous as that of Mars, the challenging of the void in the tiny rocket driven by the cranky reaction motors of the twenty-first century, and mostly the facing of an absolutely unknown world.