To Open the Sky

  To Open The Sky

  Under Vorst humankind had dared and achieved much: the reshaping of an entire planet, the genetic alteration of the race to fit another, even the promise of immortality. But it was not enough; even Eternity is too small for mankind imprisoned in one star-system, and Vorst would risk it all for the chance to “punch a hole in the sky!”

  Breathtaking in scope, TO OPEN THE SKY is Robert Silverberg’s vast epic of the human race at the threshold of discovery—of a future time as heavy with destiny as that long-ago year when campfires were first seen in the gorges of Africa…

  By The Same Author

  HAWKSBILL STATION

  TO LIVE AGAIN

  ALPHA 6

  (Ed.)

  ALPHA 8

  (Ed.)

  EPOCH

  (Ed. with Roger Elwood)

  Copyright © 1967, 1978, by Robert Silverberg

  All rights reserved

  Published by arrangement with the author’s agent

  All rights reserved which includes the right

  to reproduce this book or portions thereof in

  any form whatsoever. For information address

  Berkley Publishing Corporation

  200 Madison Avenue

  New York, New York 10016

  SBN 425-03810-6

  BERKLEY MEDALLION BOOKS are published by

  Berkley Publishing Corporation

  200 Madison Avenue

  New York, N. Y. 10016

  BERKLEY MEDALLION BOOK ® TM 757,375

  Printed in the United States of America

  Berkley Edition, JULY, 1978

  For Frederik Pohl

  Contents

  INTRODUCTION

  ONE

  Blue Fire 2077

  TWO

  The Warriors of Light 2095

  THREE

  Where the Changed Ones Go 2135

  FOUR

  Lazarus Come Forth 2152

  FIVE

  To Open the Sky 2164

  To Open the Sky: Introduction

  NEARLY EVERY science fiction writer fools around, at some stage in his career, with a “future history” chart. Robert A. Heinlein was the first to do it, so far as I know, blocking out an outline of the next six or seven hundred years and making most of his fiction of the 1940’s conform to it. Heinlein’s chart has been published as endpaper material in many of his books. Poul Anderson has a similar scheme for his vision of the future, and I think Larry Niven works from one, and…well, I never did, mainly because I’m a restless man and I’d quickly get weary of the checking and rechecking that would be necessary in order to make a long series with common background internally consistent.

  But I did toy with the notion briefly, back in 1957. Using a torn-out notebook sheet with ruled lines, I scribbled a chronological scenario covering several hundred years of the development of a pseudoscientific religious cult. Where that sheet of paper is today, I have no idea. My files for that period were substantially disimproved by the fire I had in 1968, and my move to California from New York a couple of years later did not notably benefit the condition of what had survived. I think I still may have it somewhere, and if I could find it I would quote it here, as a case history in the genesis of ideas in fiction. As it is, all I can remember of it is a single sentence, which was this:

  “AD 2150. Rise of the apostate heresiarch.”

  What a lovely gaudy phrase that is! The apostate heresiarch! I suspect that the whole outline was like that. My plan was to write the stories as a group of novelets for Infinity, the excellent but ephemeral science-fiction magazine edited by Larry T. Shaw. But Infinity’s lifespan proved finite too quickly. The magazine died in 1958, before I had had a chance to get around to the apostate heresiarch and his colleagues, and I put the sheet of paper away to marinate in a drawer where I used to keep all sorts of notes on potential story projects.

  And there it sat for six years, during which time I gave up the writing of science fiction entirely, partly out of shame over the junk I had (mostly) been writing and partly out of distress over the difficulties I was having finding an editor who would pay me to write anything but junk. In 1962 Frederik Pohl, then the editor of Galaxy, tempted me to return to s-f by promising me he would impose no a priori bonds of “editorial policy” on my material, and over the next few years I did occasional short stories for him, to my satisfaction and his, the first time in years that I was writing science fiction for love rather than for money. In the summer of 1964 I attended the World Science Fiction Convention in Oakland, California, spent a lot of time talking to Pohl, Philip K. Dick, Jack Vance, and other writers whose work I admired, and, as I told Pohl in a letter on September 19, 1964, came back home “with some mysterious alchemy worked on me. Suddenly I feel eager to contribute more to s-f than I’ve been producing—certainly more than the infrequent short stories I’ve been doing for you. I’d like to return to the longer length magazine stories now.”

  I had exhumed my 1957 future-history outline. “What I have in mind, specifically,” I said, “is a series of five novelets, each running nine or ten thousand words. I’ve blocked out the general structure of the series and sketched the plotlines of the individual stories, which will deal chronicle-fashion with a continuing theme over a century or more—that is, an evolutionary series, not the template kind. The ultimate intent, of course, is to weave them into a loose-jointed ‘novel’ for book publication later on.” I offered no outline, just the cryptic statement, “The series is a kind of updating of the Neil R. Jones Durna Rangue idea—with overtones of Cordwainer Smith and Poul Anderson. All clear?”

  What I wanted from Pohl was a commitment to buy the first of the stories. If he liked it, I would continue with the rest; if he didn’t, I would pocket my check and do no further work. Not only did he accept this proposition, but he offered to help me place book rights to the series. He was acting as an unofficial scout for his own book publisher of the time, Ballantine Books, and was fairly sure he could get Ballantine to take the project. Which of course delighted me, Ballantine being a premier house for science fiction and I, if I really intended to return to s-f, being much in need of a sympathetic publisher.

  I turned in the first story, “Blue Fire,” in mid-November, 1964. Pohl found it a bit too elliptical in spots—I was holding back too much of the background material for later use—and asked for some inserts, but otherwise was pleased and told me to go ahead with the rest of the series. I did the inserts (which I deleted again in the book version) and in mid-December submitted the second story, “The Warriors of Light.” Again I had been a little too coy about withholding information for the sake of the overall continuity, and this time Pohl wrote an insert himself, one paragraph long, which he sent me for my approval. I approved indeed: Pohl’s paragraph remains in the text to this day. A few days after his acceptance of the second story he was back to me with another suggestion: Would I devise a complete text for the Stations of the Spectrum which he could publish boxed in the text? I did it, he took me out to dinner by way of payment, and some years later the litany alone was purchased for reprint in a textbook, subject unknown. (I never got a copy—just the check.)

  Problems developed with the next story, “Where the Changed Ones Go.” I delivered it in March, 1965, and Pohl didn’t like it. Under our ongoing agreement, he had to buy it whether he liked it or not, but he hoped I wouldn’t take advantage of that. Instead, he suggested, I might want to cut the story to half its length for him, so he could slip it into the magazine inconspicuously, or perhaps kill it altogether and resurrect it for the book version, or else write an entirely new third story. None of these alternatives appealed to me. What seemed an unsatisfactory bit of fatty tissue to Pohl was, to me, the center of the
book, the pivot on which my scheme turned. (Remember, I was working from an eight-year-old outline that had had a long time to become rigid in my mind.) I didn’t want to force Pohl to buy a story he didn’t like, I didn’t see how I could simply delete this material from the magazine series, and my sense of form rebelled against a series in which one story was very much shorter than its four companions. So I did the one thing that Pohl had not wanted, which was to carry out extensive revisions on the existing story. In April I rewrote it from end to end, and he responded, “Considering that tinkering ‘Where the Changed Ones Go’ into some improved form was not what I wanted you to do, I must all the same concede that you did it well…I will enter into your delusion that it’s a story and print it that way.” By this time he had also arranged a deal for publication of the entire series (plus a volume of my short stories, Needle in a Timestack) by Ballantine, thus establishing for me one of the most rewarding author-publisher relationships I would ever have.

  Story four, “Lazarus Come Forth,” went to Pohl in August, story five, “To Open the Sky,” in October. Neither required revision, and in December I turned in the manuscript of the book version (edited to eliminate, as much as possible, the repetitions inherent in a magazine series) under the title, To Open the Sky. The magazine stories appeared between the spring of 1965 and the spring of 1966, and the book—the first seriously conceived novel of mine to reach print—in May, 1967.

  Just how seriously conceived I hadn’t even suspected. I had, you will remember, thought I was updating the creaky old Durna Rangue series that Neil R. Jones had published in the pulp magazines in the 1930’s, adding some modern overtones gleaned from Cordwainer Smith and Poul Anderson. (Actually I see little influence of either of them in the finished product.) But after the magazine series had run its course, Fred Pohl received a letter from the leader of a Buddhist circle in (I think) Mexico, signed with the resonant flourish of an “Om tat sat Om,” which said:

  “Allow me to expression my appreciation and thanks to Galaxy for publishing the series of stories by Robert Silverberg. Several of my friends have met after each one of these appeared in print and discussed their meaning and study on different levels…I have also sought to get my correspondence students and clients interested in this field of reading and have used these stories as a means of introduction for study.”

  These days it is of course standard for science fiction to be studied in schools with as much reverence as the works of Proust or Joyce. But I wasn’t used to the concept, back there in 1966, and it gave me an eerie feeling to think of people solemnly gathering in conclaves to weigh the import and significance of my fantasies of cults and heresies in the twenty-first century. Om tat sat Om indeed!

  —Robert Silverberg

  Oakland, California

  November, 1977

  ONE

  Blue Fire

  2077

  THE ELECTROMAGNETIC LITANY

  Stations of the Spectrum

  AND THERE is light, before and beyond our vision, for which we give thanks.

  And there is heat, for which we are humble.

  And there is power, for which we count ourselves blessed.

  Blessed be Balmer, who gave us our wavelengths. Blessed be Bohr, who brought us understanding. Blessed be Lyman, who saw beyond sight.

  Tell us now the stations of the spectrum.

  Blessed be long radio waves, which oscillate slowly.

  Blessed be broadcast waves, for which we thank Hertz.

  Blessed be short waves, linkers of mankind, and blessed be microwaves.

  Blessed be infrared, bearers of nourishing heat.

  Blessed be visible light, magnificent in angstroms. (On high holidays only: Blessed be red, sacred to Doppler. Blessed be orange. Blessed be yellow, hallowed by Fraunhofer’s gaze. Blessed be green. Blessed be blue for its hydrogen line. Blessed be indigo. Blessed be violet, flourishing with energy.)

  Blessed be ultraviolet, with the richness of the sun.

  Blessed be X rays, sacred to Roentgen, the prober within.

  Blessed be the gamma, in all its power; blessed be the highest of frequencies.

  We give thanks for Planck. We give thanks for Einstein. We give thanks in the highest for Maxwell.

  In the strength of the spectrum, the quantum, and the holy angstrom, peace!

  one

  THERE WAS CHAOS on the face of the earth, but to the man in the Nothing Chamber it did not matter.

  Ten billion people—or was it twelve billion by now?—fought for their place in the sun. Skyscrapers shot heavenward like sprouting beanstalks. The Martians mocked. The Venusians spat. Nut-cults flourished, and in a thousand cells the Vorsters bowed low to their devilish blue glow. All of this, at the moment, was of no significance to Reynolds Kirby. He was out of it He was the man in the Nothing Chamber.

  The place of his repose was four thousand feet above the blue Caribbean, in his hundredth-story apartment on Tortola in the Virgin Islands. A man had to take his rest somewhere. Kirby, as a high official in the U.N., had the right to warmth and slumber, and a substantial chunk of his salary covered the overhead on this hideaway. The building was a tower of shining glass whose foundations drove deep into the heart of the island. One could not build a skyscraper like this on every Caribbean island; too many of them were flat disks of dead coral, lacking the substance to support half a million tons of deadweight. Tortola was different, a retired volcano, a submerged mountain. Here they could build, and here they had built.

  Reynolds Kirby slept the good sleep.

  Half an hour in a Nothing Chamber restored a man to vitality, draining the poisons of fatigue from his body and mind. Three hours in it left him limp, flaccid-willed. A twenty-four-hour stint could make any man a puppet. Kirby lay in a warm nutrient bath, ears plugged, eyes capped, feed-lines bringing air to his lungs. There was nothing like crawling back into the womb for a while when the world was too much with you.

  The minutes ticked by. Kirby did not think of Vorsters. Kirby did not think of Nat Weiner, the Martian. Kirby did not think of the esper girl, writhing in her bed of torment, whom he had seen in Kyoto last week. Kirby did not think.

  A voice purred, “Are you ready, Freeman Kirby?”

  Kirby was not ready. Who ever was? A man had to be driven from his Nothing Chamber by an angel with a flaming sword. The nutrient bath began to bubble out of the tank. Rubber-cushioned metal fingers peeled the caps from his eyeballs. His ears were unplugged. Kirby lay shivering for a moment, expelled from the womb, resisting the return to reality. The chamber’s cycle was complete; it could not be turned on again for twenty-four hours, and a good thing, too.

  “Did you sleep well, Freeman Kirby?”

  Kirby scowled rustily and clambered to his feet. He swayed, nearly lost his balance, but the robot servitor was there to steady him. Kirby caught a burnished arm and held it until the spasm passed.

  “I slept marvelously well,” he told the metal creature. “It’s a pity to return.”

  “You don’t mean that, Freeman. You know that the only true pleasure comes from an engagement with life. You said that to me yourself, Freeman Kirby.”

  “I suppose I did,” Kirby admitted dryly. All of the robot’s pious philosophy stemmed from things he had said. He accepted a robe from the squat, flat-faced thing and pulled it over his shoulders. He shivered again. Kirby was a lean man, too tall for his weight, with stringy, corded arms and legs, close-cropped gray hair, deep-set greenish eyes. He was forty, and looked fifty, and before climbing into the Nothing Chamber today he had felt about seventy.

  “When does the Martian arrive?” he asked.

  “Seventeen hours. He’s at a banquet in San Juan right now, but he’ll be along soon.”

  “I can’t wait,” Kirby said. Moodily he moved to the nearest window and depolarized it. He looked down, way down, at the tranquil water lapping at the beach. He could see the dark line of the coral reef, green water on the hither side, deep blue water beyond.
The reef was dead, of course. The delicate creatures who had built it could stand only so much motor fuel in their systems, and the level of tolerance had been passed quite some time ago. The skittering hydrofoils buzzing from island to island left a trail of murderous slime in their wake.

  The U.N. man closed his eyes. And opened them quickly, for when he lowered the lids there appeared on the screen of his brain the sight of that esper girl again, twisting, screaming, biting her knuckles, yellow skin flecked with gleaming beads of sweat. And the Vorster man standing by, waving that damned blue glow around, murmuring, “Peace, child, peace, you will soon be in harmony with the All.”

  That had been last Thursday. This was the following Wednesday. She was in harmony with the All by now, Kirby thought, and an irreplaceable pool of genes had been scattered to the four winds. Or the seven winds. He was having trouble keeping his clichés straight these days.

  Seven seas, he thought. Four winds.

  The shadow of a copter crossed his line of sight.

  “Your guest is arriving,” the robot declared.

  “Magnificent,” Kirby said sourly.

  The news that the Martian was on hand set Kirby jangling with tension. He had been selected as the guide, mentor, and watchdog for the visitor from the Martian colony. A great deal depended on maintaining friendly relations with the Martians, for they represented markets vital to Earth’s economy. They also represented vigor and drive, commodities currently in short supply on Earth.

  But they were also a headache to handle—touchy, mercurial, unpredictable. Kirby knew that he had a big job on his hands. He had to keep the Martian out of harm’s way, coddle him and cosset him, all without ever seeming patronizing or oversolicitous. And if Kirby bungled it—well, it could be costly to Earth and fatal to Kirby’s own career.

  He opaqued the window again and hurried into his bedroom to change into robes of state. A clinging gray tunic, green foulard, boots of blue leather, gloves of gleaming golden mesh—he looked every inch the important Earthside official by the time the annunciator clanged to inform him that Nathaniel Weiner of Mars had come to call.