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  “The building,” he says, “is made of superstressed concrete. It is constructed about a central service core two hundred meters square. Originally, the plan was to have fifty families per floor, but we average about 120 today, and the old apartments have all been subdivided into single-room occupancies. We are wholly self-sufficient, with our own schools, hospitals, sports arenas, houses of worship, and theaters."

  “Food?"

  “We produce none, of course. But we have contractual access to the agricultural communes. I'm sure you've seen that nearly nine tenths of the land area of this continent is used for food production; and then there are the marine farms. Oh, we have plenty of food on this planet, now that we no longer waste space by spreading out horizontally over good land."

  “But aren't you at the mercy of the food-producing communes?"

  “When were city-dwellers not at the mercy of farmers?” Mattern asks. “But you seem to regard life on Earth as an affair of fang and claw. Actually the ecology of our world is neatly in mesh. We are vital to the farmers—their only market, their only source of manufactured goods. They are vital to us—our only source of food. Reciprocal indispensabilities, eh? And the system works. We could support many billions of additional people. Someday, god blessing, we will."

  The dropshaft, coasting downward through the building, glides into its anvil at the very bottom. Mattern feels the oppressive bulk of the whole Urbmon over him, and is vaguely surprised by the intensity of his distress; he tries not to show that he is uneasy. He says, “The foundation of the structure is four hundred meters deep. We are now at the lowest level. Here we generate our power.” They cross a catwalk and peer into an immense generating room, forty meters from floor to ceiling, in which sleek green turbines whirl. “Most of our power is obtained,” he points out, “through combustion of compacted solid refuse. We burn everything we don't need, and sell the residue as fertilizer. We have auxiliary generators that work on accumulated body heat, also."

  “I was wondering about that,” Gortman murmurs. “What you do with the heat."

  Cheerily Mattern says, “Obviously 800,000 people within one sealed enclosure will produce an immense thermal surplus. Some of this heat is directly radiated from the building through cooling fins along the outer surface. Some is piped down here and used to run the generator. In winter, of course, we pump it evenly through the building to maintain temperature. The rest of the excess heat is used in water purification and similar things."

  They peer at the electrical system for a while. Then Mattern leads the way to the reprocessing plant. Several hundred schoolchildren are touring it; silently the two men join the tour.

  The teacher says, “Here's where the urine comes down, see?” She points to gigantic plastic pipes. “It passes through the flash chamber to be distilled, and the pure water is drawn off here—follow me, now—you remember from the flow chart, the part about how we recover the chemicals and sell them to the fanning communes—"

  Mattern and his guest inspect the fertilizer plant, too, where fecal reconversion is taking place. Gortman asks a number of questions. He seems deeply interested. Mattern is pleased; there is nothing more significant to him than the details of the Urbmon way of life, and he had feared that this stranger from Venus, from a place where men live in private houses and walk around in the open, would regard the Urbmon way as repugnant or hideous.

  They go onward. Mattern speaks of air-conditioning, the system of dropshafts and liftshafts, and other such topics.

  “It's all wonderful,” Gortman says. “I couldn't imagine how one little planet with 75,000,000,000 people could even survive, but you've turned it into—into—"

  “Utopia?” Mattern suggests.

  “I meant to say that, yes,” says Gortman.

  Power production and waste disposal are not really Mattern's specialties. He knows how such things are handled here, but only because the workings of the Urbmon are so enthralling to him. His real field of study is sociocomputation, after all, and he has been asked to show the visitor how the social structure of the giant building is organized. Now they go up, into the residential levels.

  “This is Reykjavik,” Mattern announces. “Populated chiefly by maintenance workers. We try not to have too much status stratification, but each city does have its predominant populations—engineers, academics, entertainers, you know. My Shanghai is mostly academic. Each profession is clannish.” They walk down the hall. Mattern feels edgy in this low level, and he keeps talking to cover his nervousness. He describes how each city within the Urbmon develops its characteristic slang, its way of dressing, its folklore, and heroes.

  “Is there much contact between cities?” Gortman asks.

  “We try to encourage it. Sports, exchange students, regular mixer evenings. Within reason, that is. We don't have people from the working-class levels mixing with those from the academic levels, much. It would make everyone unhappy, eh? But we attempt to get a decent flow between cities of roughly similar intellectual level. We think it's healthy."

  “Wouldn't it help the mixing process if you encouraged intercity nightwalking?"

  Mattern frowns. “We prefer to stick to our propinquity groups for that. Casual sex with people from other cities is a mark of a sloppy soul."

  “I see."

  They enter a large room. Mattern says, “This is a newlywed dorm. We have them every five or six levels. When adolescents mate, they leave their family homes and move in here. After they have their first child they are assigned to homes of their own."

  Puzzled, Gortman asks, “But where do you find room for them all? I assume that every room in the building is full, and you can't possibly have as many deaths as births, so—how—?"

  “Deaths do create vacancies, of course. If your mate dies and your children are grown, you go to a senior citizen dorm, creating room for the establishment of a new family unit. But you're correct that most of our young people don't get accommodations in the building, since we form new families at about two percent a year and deaths are far below that. As new Urbmons are built, the overflow from the newlywed dorms is sent to them. By lot. It's hard to adjust to being expelled, they say, but there are compensations in being among the first group into a new building. You acquire automatic status. And so we're constantly overflowing, casting out our young, creating new combinations of social units—utterly fascinating, eh? Have you read my paper, ‘Structural Metamorphosis in the Urbmon Population'?"

  “I'm afraid I haven't encountered it,” Gortman replies. “I'll be eager to look it up.” He glances around the dorm. A dozen couples are having intercourse on a nearby platform. “They seem so young,” he says.

  “Puberty comes early among us. Girls generally marry at twelve, boys at thirteen. First child about a year later, god blessing."

  “And nobody tries to control fertility at all?"

  “ Control fertility?” Mattern clutches his genitals in shock at the unexpected obscenity. Several copulating couples look up, amazed. Someone giggles. Mattern says, “Please don't use that phrase again. Particularly if you're near children. We don't—ah—think in terms of control."

  “But—"

  “We hold that life is sacred. Making new life is blessed. One does one's duty to god by reproducing.” Mattern smiles, feeling that he sounds too earnest. “To be human is to meet challenges through the exercise of intelligence, right? And one challenge is the multiplication of inhabitants in a world that has seen the conquest of disease and the elimination of war. We could limit births, I suppose, but that would be sick, a cheap, anti-human way out. Instead we've met the challenge of overpopulation triumphantly, wouldn't you say? And so we go on and on, multiplying joyously, our numbers increasing by three billion a year, and we find room for everyone, and food for everyone. Few die, and many are born, and the world fills up, and god is blessed, and life is rich and pleasant, and as you see we are all quite happy. We have matured beyond the infantile need to place layers of insulation between man
and man. Why go outdoors? Why yearn for forests and deserts? Urbmon 116 holds universes enough for us. The warnings of the prophets of doom have proved hollow. Can you deny that we are happy here? Come with me. We will see a school now."

  The school Mattern has chosen is in a working-class district of Prague, on the 108th floor. He thinks Gortman will find it especially interesting, since the Prague people have the highest reproductive rate in Urban Monad 116, and families of twelve or fifteen are not at all uncommon. Approaching the school door, Mattern and Gortman hear the clear treble voices singing of the blessedness of god. Mattern joins the singing; it is a hymn he sang too, when he was their age, dreaming of the big family he would have:

  And now he plants the holy seed.

  That grows in Mommo's womb,

  And now a little sibling comes—

  There is an unpleasant and unscheduled interruption. A woman rushes toward Mattern and Gortman in the corridor. She is young, untidy, wearing only a flimsy gray wrap; her hair is loose; she is well along in pregnancy. “Help!” she shrieks. “My husband's gone flippo!” She hurls herself, trembling, into Gortman's arms. The visitor looks bewildered.

  Toward her there runs a man in his early twenties, haggard, eyes bloodshot. He carries a fabricator torch; its tip glows with heat. “Goddamn bitch,” he mumbles. “Allatime babies! Seven babies already and now number eight and I gonna go off my head!” Mattern is appalled. He pulls the woman away from Gortman and shoves the dismayed visitor through the door of the school.

  “Tell them there's a flippo out here,” Mattern says. “Get help, fast!” He is furious that Gortman should witness so atypical a scene, and wishes to take him away from it.

  The trembling girl cowers behind Mattern. Quietly, Mattern says, “Let's be reasonable, young man. You've spent your whole life in Urbmons, haven't you? You understand that it's blessed to create. Why do you suddenly repudiate the principles on which—"

  “Get the hell away from her or I gonna burn you too!"

  The young man feints with the torch, jabbing it straight at Mattern's face. Mattern feels the heat and flinches. The young man swipes past him at the woman. She leaps away, but she is clumsy with girth, and the torch slices her garment. Pale white distended flesh is exposed, with a brilliant burn-streak slashed across it. She cups her jutting belly and falls, screaming. The young man jostles Mattern out of the way and prepares to thrust the torch into her side. Mattern tries to seize his arm. He deflects the torch; it chars the floor. The young man, cursing, drops it and throws himself on Mattern, pounding frenziedly with his fists. “Help me!” Mattern calls. “Help!"

  Into the corridor erupt dozens of schoolchildren. They are between eight and eleven years of age. They continue to sing their hymn as they pour forth. They pull Mattern's assailant from him. Swiftly, smoothly, they cover him with their bodies. He can dimly be seen beneath the flailing, thrashing mass. Dozens more rush from the schoolroom and join the heap. A siren wails. A whistle blows. The teacher's amplified voice booms, “The police are here! Everyone off!"

  Four men in uniform have arrived. They survey the situation. The injured woman lies groaning, rubbing her burn. The insane man is unconscious; his face is bloody and one eye appears to be destroyed. “What happened?” a policeman asks. “Who are you?"

  “Charles Mattern, sociocomputator, 799th level, Shanghai. The man's a flippo. Attacked his pregnant wife with the torch. Attempted to attack me."

  The policemen haul the flippo to his feet. He sags, dazed, battered, in their midst. The police leader says, rattling the words into one another, “Guilty of atrocious assault on woman of childbearing years currently carrying unborn life, dangerous countersocial tendencies, menace to harmony and stability, by virtue of authority vested in me I pronounce sentence of erasure, carry out immediately. Down the chute with the bastard, boys!” They haul the flippo away. Medics appear and cluster about the fallen woman. The children, once again gaily singing, return to the classroom. Nicanor Gortman looks stunned and shaken. Mattern seizes his arm and whispers fiercely, “All right, so those things happen sometimes. I don't deny it. But it was a billion to one against having it happen where you'd see it! It isn't typical! It isn't typical!"

  They enter the classroom.

  The sun is setting. The Western face of the neighboring urban monad is streaked with red. Nicanor Gortman sits quietly at dinner with the members of the Mattern family. The children, voices tumbling in chaotic interplay, chatter of their day at school. The evening news comes on the screen; the announcer mentions the unfortunate event on the 108th floor. “The mother was not seriously injured,” he says, “and no harm came to her unborn child. Sentence on the assailant has been carried out and a threat to the security of the whole Urbmon has thus been eliminated.” Principessa murmurs, “Bless god.” After dinner Mattern requests copies of his most recent technical papers from the data terminal and gives the whole sheaf to Gortman to read at his leisure. Gortman thanks him energetically.

  “You look tired,” Mattern says.

  “It was a busy day. And a rewarding one."

  “Yes. We really covered ground, didn't we?"

  Mattern is tired too. They have visited nearly three dozen levels already; he has shown Gortman town meetings, fertility clinics, religious services, business offices, all on this first day. Tomorrow there will be much more to see. Urban Monad 116 is a varied, complex community. And a happy one, Mattern tells himself firmly. We have a few little incidents from time to time, but we're happy.

  The children, one by one, go to sleep, charmingly kissing Daddo and Mommo and the visitor good night and running across the room, sweet nude little pixies, to their cots. The lights automatically dim. Mattern feels faintly depressed; the unpleasantness on 108 has spoiled what was otherwise an excellent day. Yet he still thinks that he has succeeded in helping Gortman see past the superficialities to the innate harmony and serenity of the urbmon way. And now he will allow the guest to experience for himself one of their most useful techniques for minimizing the interpersonal conflicts that could be so destructive to their kind of society. Mattern rises.

  “It's nightwalking time,” he says. “I'll go. You stay here ... with Principessa.” He suspects that the visitor would appreciate some privacy.

  Gortman looks uneasy.

  “Go on,” Mattern says. “Enjoy yourself. People don't deny pleasure to people, here. We weed the selfish ones out early. Please. What I have is yours. Isn't that so, Principessa?"

  “Certainly,” she says.

  Mattern steps out of the room, walks quickly down the corridor, enters the dropshaft, and descends to the 770th floor. As he gets out he hears sudden angry shouts, and he stiffens, fearing that he will become involved in another nasty episode, but no one appears. He walks on. He passes the black door of a chute access and shivers a little, and he cannot avoid thinking of the young man with the fabricator torch, and what has become of him. And then, without warning, there swims up from memory the face of the brother he had once had who had gone down that same chute, the brother one year his senior, Jeffrey, the whiner, the stealer, Jeffrey the selfish, Jeffrey the unadaptable, Jeffrey who had had to be given to a chute. For an instant Mattern is sickened and dizzied. He starts to fall, and wildly seizes a doorknob to steady himself.

  The door opens. He goes in. He has never been a nightwalker on this floor before. Five children lie asleep in their cots, and on the sleeping platform are a man and a woman, both younger than he is, both asleep. Mattern removes his clothing and lies down by the woman's left side. He touches her thigh, then her small cool breast. She opens her eyes and he says, “Hello. Charles Mattern, 799."

  “Gina Burke,” she says. “My husband Lenny."

  Lenny awakens. He sees Mattern, nods, turns over, and returns to sleep. Mattern kisses Gina Burke lightly on the lips. She opens her arms to him. He trembles in his need, and sighs as she receives him. God bless, he thinks. It has been a happy day in 2381, and now it is over.


  * * *

  TWO

  The city of Chicago is bounded on the north by Shanghai and on the south by Edinburgh. Chicago currently has 37,402 people, and is undergoing a mild crisis of population that will have to be alleviated in the customary manner. Its dominant profession is engineering. Above, in Shanghai, they are mostly scholars; below, in Edinburgh, computer men cluster.

  Aurea Holston was born in Chicago in 2368 and has lived there all of her life. Aurea is now fourteen years old. Her husband, Memnon, is nearly fifteen. They have been married almost two years. God has not blessed them with children. Memnon has traveled through the entire building, but Aurea has scarcely ever been out of Chicago. Once she went to visit a fertility expert, an old midwife down in Prague, and once she went up to Louisville, where her powerful uncle, an urban administrator, lives. Many times she and Memnon have been to their friend Siegmund Kluver's apartment in Shanghai. Other than that she has not seen much of the building. Aurea does not really care to travel. She loves her own city very much.

  Chicago is the city that occupies the 721st through the 760th floors of Urban Monad 116. Memnon and Aurea Holston live in a dormitory for childless young couples on the 735th floor. The dorm is currently shared by thirty-one couples, eight above optimum.

  “There's got to be a thinning soon,” Memnon says. “We're starting to bulge at the seams. People will have to go."

  “Many?” Aurea asks.

  “Three couples here, five there—a slice from each dorm. I suppose Urbmon 116 will lose about two thousand couples. That's how many went the last time they thinned."

  Aurea trembles. “Where will they go?"

  “They tell me that the new Urbmon is almost ready. Number 158."

  Her soul floods with pity and terror. “How horrid to be sent somewhere else! Memnon, they wouldn't make us leave here!"

  “Of course not. God bless, we're valuable people! I have a skill rating of—"

  “But we have no children. That kind goes first, doesn't it?"